Scott works in dance and theatre as a composer and performer. Recent work includes The Majority at The National Theatre, Father and Son at The Traverse, Hedda Gabler at Northern Stage and In The Ink Dark, an extended dance piece for Luke Pell as part of the 2017 Leith Late Festival.

in Dominic Hill’s exquisite production, we see a great mechanical shifting of corrugated metal, accompanied by Scott Twynholm’s grinding score, as the scene changes become part of the action.
— Mark Fisher, The Guardian
...a set that becomes an actor in the play driven by Scott Twynholm’s astonishing soundscape
— Joyce McMillan, The Scotsman
...a sharp moody production, especially Scott Twynholm’s subtle sound which shifts to create shadowy interludes between scenes.
— Diane Snyder, TimeOut New York
Sitting alongside all this wit, charm and pathos, is a live soundtrack which adds an extra layer to all of those qualities. Composed and performed by Scott Twynholm and Kim Moore, the music and song is an integral, and often beautiful, part of the show’s emotional integrity.
— Kelly Apter, The Scotsman the final, multi-lingual life affirming chorus which falls just the right side of quirky in Twynholm’s lovely score.
— Neil Cooper, Herald Scotland
David Harrower’s Good With People, a haunting work greatly aided by atmospheric sound from Scott Twynholm.
— Fiona Mountford, London Evening Standard